Embedded Files
Books
Grosman, C. (2023). Post-Dictatorship Argentinian Cinema as a Renarration of Collective Memory: The Spectrum of Absence
Author: Carla Grosman
Translated by: Lilen Guillet
Post-Dictatorship Argentinian Cinema as a Renarration of Collective Memory: The Spectrum of Absence. Newcastle upon Tyne: Cambridge Scholars. ISBN ISBN (10): 1-5275-1976-7
This book reflects on the role of Argentinean cinema in the construction of social memory. It observes the melancholic scene of Argentina’s first-decade post-dictatorship as a context without the necessary social understanding to frame the traumatic experiences of the 1976-1983 military repression. Hence, it interprets such conditions as facilitating processes of intersubjective forgetting, fostered by sociopolitical institutions organizing the discourse of truth within a neoliberal re-democratization endeavor. The book proposes that the non-hegemonic cinema of 1985-1996 operated as a symbolic mediation with which a post-dictatorial, poetic, negotiated truth emerged within the historical process of collective memorialization of social trauma. The book draws from research on Latin American cinema and popular culture, subaltern studies, memory and trauma studies, and the notion of cultural hegemony.
link a la editorial: https://www.cambridgescholars.com/product/978-1-5275-1976-3/
Grosman, C. (2022). Gibosa Menguante (Waning Gibbous).
San Juan: Fondo editorial de la Cámara de Diputados.
ISBN 978-987-4034-78-6
Grosman, C. (2020). El espectro de la ausencia.
Post-dictatorship Argentine cinema as a retelling of collective memory. (The Absence's Spectrum: Argentine Post-dictatorial Cinema as a Re-narration of Collective Memory) Prologue by Ximena Triquel (National University of Córdoba). San Juan: Editorial Fund of the Chamber of Deputies. ISBN 978-987-4034-66-3[U1]
Grosman, C. (2018). La alegoría del viajero inmóvil.
Utopía y neoliberalismo en el cine latinoamericano. (The allegory of the motionless traveler. Utopia and Neoliberalism in Latin American Cinema) Prólogo de Dr Lauro Zavala (Universidad Autónoma Metropolitana, México). Madrid: Ápeiron Ediciones.
Grosman, C. (2018). Utopia and Neoliberalism in Latin American Cinema.
The allegory of the motionless traveler. Prologue by Antonio Traverso (Curtin University, Australia). U.K.: Cambridge Scholars.
Book chapters
Book chapters
Grosman, C. (2023). “Sobre el poder del texto cinematográfico como narrativización de la hegemonía peronista en Las Aguas Bajan Turbias de Hugo del Carril (1952)” [On cinematographic texts’s power towards first Perinism’s hegemony constructionin Hugo del Carril’s Dark river, 1952] en Gerardo Tripolone (comp.). La escena justa. Cine, Estado y Regulación cinematográfica en Argentina 1914-1955. [Just the scene. Cinema, State and Cinematographic regulations in Argentina 1914-1955]. Córdoba: EDIUNC (in press). Indexed in Latindex.
Grosman, C. (2022). “La Imagen de una corporalidad en peligro. Percepto entre los cortometrajes de tesis ENERC Cuyo 2018-2019” (The image of an endengered corporality. Percept among ENERC Cuyo’s theses short films 2018-1019) in Andrea Cuarterolo, Silvana Flores y Jorge Salas (eds.) Giros históricos de los cines regionales en Argentina y América Latina: definiciones, delimitaciones y disputas históricas (Latin American and Argentinean regional cinema’s historical turns; definitions, delimitations and disputes). Buenos Aires: Editorial de la Facultad de Filosofía y Letras, Universidad de Buenos Aires pp.101 - 122. ISBN 978-987-88-4036-9. Endorced by Latindex.
Grosman, C. (2022). “La ecología mediática audiovisual cuando ‘las bases’ se sacuden. Radio La Lechuza y la comunicación comunitario-resiliente” (Audiovisual Media Ecology, when the grassroots are shaken. Redio The owl and community resilient communication) en Libro de Actas del VIII Congreso de la Asociación Argentina de Estudios sobre Cine y Audiovisual (AsAECA) Cartografías del devenir: Territorios, Prácticas, Políticas y Lenguajes. (Book Proceeding from AsAECA’s Congress Cartographies of the future: territories, practices and languages. Córdoba: Universidad Nacional de Villa María (UNVM). SBN 978-1-873671-00-9.
Grosman, C. (2020). "Poiesis del cine latinoamericanos frente a los aplazamientos de la aporía de emancipación postcolonial" (“Latin American cinema’s poiesis facing the epistemological aporía of poscolonial emancipation”) en De Oto, A. (comp.), Ejercicio sobre lo postergado. Escritos poscoloniales. (Exercises on postponements. Poscolonial writings) Guaymallen, Mendoza: Qellqasqa, pp.245-270. ISBN: 978-987-4026-39-2.
Grosman, C. (2020) “Cine exprés, un modelo multiplicado” (“Express cinema, a multiplied model”). Libro de Actas de ENACOM, Encuentro Nacional de Carreras de Comunicación. Facultad de Ciencias de la Comunicación. (Book proceeding from ENACOM conference) Córdoba: Editorial de la Universidad Nacional de Córdoba, pp. 375-379.
https://fcc.unc.edu.ar/sites/default/files/archivos/enacom_2019_final_compressed.pdf.
Grosman, C. (2015). “The Sea between Us: exile, memory and neoliberalism in Adolfo Aristaraín filmography” in José Colmeiro (ed) Global Crossroads: Redefining Spain in the 21st Century. Madrid: Iberoamericana, pp.231-256.
Book chapters in co-authorship
Grosman, C. y Ruiz, J. (2022). “Tomar asiento, fotografía de un acto de fe” (Take a sit; fotography of an act of faith) en Matilde Escobar Negri y Luis Cruz Villalobos (eds.) Un sol hecho de soles. (A sun made of suns). Mendoza - Santiago de Chile: EA & Hebel Ediciones, ISBN 978-987-88-4036-9 (in press).
Castro, A.; Grosman, C.; Nannetti, L. y Salas, J. (2022). “Proyecciones e impacto de la inserción de las sedes de la ENERC en las regiones argentinas” (Impact projection of ENERC regional branches in Argentina) en Ana Laura Lusnich, Andrea Cuarterolo y Silvana Flores (eds.) Cines regionales en cruce: un panorama del cine argentino desde un abordaje descentralizado (Regional cinemas in intersection: Outlook of Argentinean cinema from a descentered perspective). Buenos Aires: EUDEBA (in press).
Grosman, C. y Vidal, E. (2020). “Cine comunitario cordobés y la tarea integradora de la apropiación tecnológica en los espacios de democratización cultural” (Cordoba’s community cinema and the integrational task of technological appropriations in cultural democratization territories) en Roberto Canales Reyes y Consuelo Herrera Carbajal (comps.) Acceso, Democracia y Comunidades virtuales. Apropiación de tecnologías digitales desde el Cono Sur. Democracy and Virtual Communities: Digital Technological Appropriations from the Southern Cone), Buenos Aires: CLACSO, pp. 309-326
http://apropiaciondetecnologias.com/producciones/libros-de-la-riat/ ISBN 978-987-722-767-3.
Grosman, C. y Vidal, M.E. (2020). “Universidad/Cine comunitario cordobés: dialéctica hacia la legitimación de saberes otros” (University/ Cordoba’s community cinema: dialectic towards the legitimation of Other knowledges). Libro de Actas de ENACOM Encuentro Nacional de Carreras de Comunicación. Facultad de Ciencias de la Comunicación. (Book proceeding from ENACOM conference). Córdoba: Editorial de la Universidad Nacional de Córdoba., pp. 23-26.
https://fcc.unc.edu.ar/sites/default/files/archivos/enacom_2019_final_compressed.pdf
Articles
Articles
Grosman, C. (2021). "La mesa (red) de cine social y comunitario de Córdoba en la praxis de la pedagogía decolonial" (The social and community cinema network of Cordoba in Decolonial Pedagogy’s praxis). Saberes y prácticas. Revista de Filosofía y Educación: Vol. 6 Núm. 2 (2021). ISSN 2525-2089.
Grosman, C. (2019). “Cortometrajes de largas distancias: Cine exprés, la multiplicación de un modelo” (Short films going long distances. Cinema express, the multiplication of a model). Toma Uno. V7, N7. Córdoba, Argentina: Faculty of Arts, National University of Córdoba.
Grosman, C. (2018). “Yira Yira: ‘Nuevo Cine Argentino’, veinte años de viaje” (‘Yira Yira’ New Argentinean Cinema, twenty years travelling). Alter/Nativas Latin American Cultural Studies Journal, N8, Center for Latin American Studies, Ohio State University. ISSN 2168--‐8451.
[U2]
Grosman, C. (2018). “La alegoría del viajero inmóvil: un modelo crítico para el cine latinoamericano de la era neoliberal”[The allegory of the motionless traveler, a critical model for the Latin American Cinema of the Neoliberl Era] VI Congreso Interoceánico de Estudios Latinoamericanos, Simposio 9: “Voces y miradas desde las artes a la teoría decolonial: aportes para la enseñanza, investigación y divulgación de las artes” [ VI Interoceanic Congress of Latin American Studies, Session: “Voices and perspectives from the arts to Decolonial Theory: contributions towards teaching, Research and art divulgation” Blog Digital UnCu. Universidad Nacional de Cuyo, Facultad de Filosofía y Letras, Secretara de Extensión Universitaria,
https://bdigital.uncu.edu.ar/objetos_digitales/15606/ponencia-grosman.pdf
Grosman, C. (2013). “Zombis Utópicos” (Utopian Zombies). Cinémas d'Amérique Latine 21, ARCALT/ Presses Universitaires du Mirail, Toulouse, France, March 2013, pp.95-109.
http://www.jstor.org/stable/42598509
Books under edition
Grosman, C. ( ). Cinema made with neighbours: contemporaqry argentinean community cinema as decolonial pedagogy’s praxis.
Conferences
2023
Paper: “Community cinema at San Juan of the frontier”. XII International Congress of Theory and History of Art/ XX Conference of CAIA. National University of Rosario, Faculty of Humanities and Arts, CAIA (Argentina’s Center of Art Research). Session: Historical and contemporary developments in Argentinean national cinemas’ regional modes of production. 5/10.
Paper: ‘This is the hour of furnaces and there will be nothing but light: Aesthetical-narrative strategies of the 60’s New Latin American Cinema as a form of social counter hegemonic practice’. Binational Encounter of Social Sciences Researchers Argentina’s mid-west and Chile’s IV región. National University of San Juan, Faculty of Social Sciences. Session: Political conflict, cinema and legal rights: on State interventions and regulations over cinematographic production and exhibition. 8/9-
Paper: “Introducing the seminar ‘Community cinema and decolonial thought’ ”. I Conference of art research-creation projects divulgation. National University of San Juan. Faculty of Philosophy, Humanities and Arts (FFHyA), Department of Visual Arts. 29/6.
Paper: “Presenting the Project: Cinema between the war and the constitution: State Regulations to cinema’s production and exhibition in Argentina 1955-1973”. I Conference of art research-creation projects divulgation. National University of San Juan. Faculty of Philosophy, Humanities and Arts (FFHyA), Department of Visual Arts 30/6.
2022
Paper: “Resilience Communication: Radio La Lechuza, Community Radio & Social Change”. Dialogues, screen practices postgraduate symposium. Auckland University of Technology. Centre for Screen Practice Research. Faculty of Design & Creative Technologies. School of Communication Studies. 15/10.
Paper: “La ecología mediática audiovisual cuando ‘las bases’ se sacuden. Radio La Lechuza y la comunicación comunitario-resiliente” (Audiovisual Media Ecology, when the grassroots are shaken. Redio The owl and community resilient communication) VIII Congress of the Argentine Association of audiovisual and cinema studies (AsAECA) “Cartografías del devenir: Territorios, Prácticas, Políticas y Lenguajes”. (“Cartographies of the future: territories, practices and languages”). Córdoba: Universidad Nacional de Villa María (UNVM). 30/4.
2021
Paper: “Community cinema as Decolonial Pedagogy’s praxis technology: The social and community cinema network of Cordoba”. National Autonomous University of Mexico (UNAM): Economy research institute. 3rd Congress on Decoloniality of Power: Homage to Anibal Quijano; Encounters and Decolonial dialogues on time and space diversity 18/11.
Paper: “La Imagen de una corporalidad en peligro. Percepto entre los cortometrajes de tesis ENERC cuyo 2018-2019” (The image of an endengered corporality. Percept among ENERC theses short films 2018-1019) IV Latin American Simposium on comparative studies. Latin American and Argentinean regional cinema historical turns. Faculty of Philosophy and Letter, University of Buenos Aires, Buenos Aires, Argentina. 12/11.
Paper: “La mesa (red) de cine social y comunitario de Córdoba en la praxis de la pedagogía decolonial” ((The social and community cinema network of Cordoba in Decolonial Pedagogy’s praxis) IELAC Instituto de Estudios de Latinoamérica y el Caribe (Caribean and Latin American Studies Institute) V Jornadas Internacionales de Estudios de América Latina y el Caribe “Escenario regional de ofensiva capitalista y rebeliones populares” ( V Simposium on Latin American and Caribean Studies “Regional scene of capitalist ofenssive and popular rebelions” University of Buenos Aires, 28/10.
Paper: Presentation of the chapter “Poiésis del Cine Latinoamericano frente a los aplazamientos de la aporía de emancipación poscolonial” (Latin American cinema’s poiesis facing the epistemological aporía of poscolonial emancipation) in De Oto, A. (comp.) (2020). Ejercicio sobre lo postergado. Escritos poscoloniales (Exercises on postponements. Poscolonial writings). Guaymallen, Mendoza: Qellqasqa. 22° Congresso de Leitura do Brasil, “Leituras Plurais, Escritas Equilibristas” (22nd Brasilian Congress of Reading “Plural Reading, equilibrist writings”). Panel “Jumping without net, conceptual modulations between postcolonial critique and poscestructuralist philosophy. Reading Association of Brasil, University of Campignas, Brasil. 5/8.
Paper: “Investigación-creación artística un trayecto con accidentes” (art based research-creation a journey full of accidents). CILAC, Foro Abierto de Ciencias de América Latina y el Caribe (Open fórum of Latin American and Caribean Sciences) Session: “La Investigación Artísticas y las Ciencias Humanas, una minoría que avanza en la integración y validación del sistema de producción científico-tecnológico regional” (art based research and Human sciences at the process of legitimization of its regional scientific and technological production”. Coordinator, Academic Department of Human Sciences, National University of La Rioja, Argentina and the Argentinean Art University Network’s commission on art based research /production. 29/4.
2020
Paper: “Cine comunitario como tecnología para la praxis de la pedagogía decolonial: el caso de La mesa de cine social y comunitario de Córdoba” (Community cinema as technology for the praxis of Decolonial Pedagogy: The social and community cinema network of Cordoba’s case) V Congress of Poscolonial Studies y VII Symposium of Poscolonial Feminism “Una nueva poética (erótica) de la Relación, para una nueva política de lo diverso y de las futuridades. Abriendo mundos poscoloniales” ( A new (erotic) poetic of the relation, for a new poetic of diversity and futurity ) Online format. Organized by (IDAES/UNSAM), Frontier and Transfrontier Thinking in Feminist Studies; Poscolonial Program, Programa Suth-South (CLACSO)- Faculty of Social sciences, National University of Buenos Aires, 4/12 .
Paper: “Talleres de cine comunitario como pedagogía decolonial” ( Community cinema workshops as decolonial pedagogy) VII Congreso de la Asociación Argentina de Estudios sobre Cine y Audiovisual (AsAECA) “Nuevas formas del Cine y del Audiovisual: Géneros, Afectos, Identidades y Política” (VII Congress of ASAECA “ New Audiovisual and Cinematic forms; Gender, Afects, Identity and Politics”). On line mode. 28/11.
2019
Paper: “Cine comunitario y democratización del espacio cultural” (Community cinema and cultural democratization). Encuentro International de la Red de Investigadores sobre Apropiación de Tecnologías Digitales (RIAT). (International encouter of the Digital technology appropriations researcher network) Ozorno, Chile, Universidad de los Lagos. 11/10. Paper: “Cortometrajes de largas distancias: Cine exprés, la multiplicación de un modelo” (Short films going long distances. Cinema express, the multiplication of a model) XVII Encuentro Nacional de Carreras de Comunicación - ENACOM “Comunicación, poder y resistencias: transformaciones de una cartografía contemporánea” (XVII International Encounter of Communication careers ENACOM “Communication, Power, and resistence, transformation of a contemporary cartography”) Facultad de Ciencias de la Comunicación Universidad Nacional de Córdoba. 5/9.
Paper: “Universidad/Cine comunitario cordobés: dialéctica hacia la legitimación de saberes otros” (University/ Cordoba’s community cinema: dialectic towards the legitimation of Other knowledges) co-writen with Dr. Elizabeth Vidal. XVII International Encounter of Communication careers ENACOM “Communication, Power, and resistence, transformation of a contemporary cartography” Facultad de Ciencias de la Comunicación Universidad Nacional de Córdoba. 5/9.
2018
Paper: “The Allegory of the Motionless Traveler. A Poietical Model”. VI International Congress on Latin American Studies: Alternative tours of Modernity in Our America. Faculty of Philosophy and Letters. National University of Cuyo, Mendoza, Argentina, 16/11.
2016
Paper: “The secret on her/his/their eyes, perspective subjectivization and the internationalization of Argentinean Cinema”. NZCLAS Seminar series National Cinemas, Transnational productions: Does nationality matters?, Center for Latin American Studies (NZCLAS), The University of Auckland, Auckland, New Zealand, 5/10.
2015
Paper: “Adolfo Aristaraín's cinema under three analytic contexts: hypo, hyper and inter-text”. STANZA (Spanish Teacher Association in New Zealand-Aoteroa) Professional training conference, Auckland, New Zealand, 22/2.
2013
Paper: “The Allegory of the Standstill Traveler: Crisis and Reconstruction of Utopia in the Latin American Cinema of the Neoliberal Era”. Summer Seminar on Travelling Research. Coordinated by ENLACES (Engaging Latin American Culture Education and Students), and NZCLAS (New Zealand Centre for Latin American Studies), The University of Auckland, Auckland, New Zealand, 1/2.
2012
Paper: “Utopian Zombies in the Cuban film Juan of the Dead (2011).” X Biennial Congress of the Association of Iberian & Latin American Studies of Australasia (AILASA). University of Victoria, Wellington, New Zealand, 9/7.
Paper: “The Sea between Us: Intergenerational Conflict of Argentinians Exiles in Spain. The Perspective of Film Director Adolfo Aristaraín.” Global Crossroads: Redefining Spain in the 21st Century. The University of Auckland, Auckland, New Zealand, 12/4.
2011
Paper: “Ethos, Pathos y Logos of Cuban Revolution’s image: Photography and Film in the battle for cultural hegemony”. Conference “Expanding Documentary”, (AUT) Auckland University of Technology, Auckland, New Zealand, 8/12.
Paper: “Juan of the Dead: Another Revolution?” Latin American Studies Post-graduate Seminar, The University of Auckland, Auckland, New Zealand, 26/10. (Invited Lecturer)
2010
Paper: “Travel and Testimony in the Argentinean Cinema of the Neoliberal Era: Crisis and Revival of Utopia.” International Congress Utopia. Technologic of Monterrey, Monterrey, Mexico, 24/8.
Paper: “Short Films going Long Distances: Interculturality as a Form of Epistemic Independence.” IX Biennial Association of Iberian & Latin American Studies of Australasia Conference: The Australian National University, Canberra, Australia, 8/7.
2009
Paper: “Voyages and Longing in Argentine Cinema.” School of European Languages & Literature Postgraduate Symposium. The University of Auckland, Auckland, New Zealand, 20/10.
Key Speaker: “The Spectrum of Absence: Argentinean post dictatorship cinema as a re narration of collective memory” Postgraduate seminars, Graduate office, Nacional University of Cordoba. 1/10.
2003
Paper: “The Journey of Representation.” Visual Anthropology Workshop, New Zealand Centre for Latin American Studies (NZCLAS). The University of Auckland, Auckland, New Zealand, 15-16 September.
Paper “On the melancholy of the unrepresentable: A wall of silence, the allegory in the process of mourning”. En The Poetic of Exile, an International Conference”, The University of Auckland, Auckland, New Zealand, 18 /7.
1999
Panelist: “Subcielo: Representación en y de la Realidad.” (Underheaven: Representations in and of reality). Tercera Conferencia sobre “Distintas expresiones comunicacionales de Córdoba y su repercusión social (3rd Conference on Cordoba’s different comunicational expressions and their social repercusions) CEICOS (Centro de estudios e investigaciones en comunicación social/ Social Communication research center), Córdoba, Argentina. 10/11.
Seminars
2023
Lecturer and curriculum developer : “Viaje, Utopía y Neoliberalismo en el Cine Latinoamericano” (Travel, Utopia and Neoliberalism in Latin American Cinema). Curso-Taller: Praxis Epistémicas Contra-hegemónicas. Cine, Metáforas y Feminismos (Seminar workshop: Counter-hegemonic epistemic praxis. Cinema, Metaphors and Feminisms. Institute of Philosophy, Faculty of Philosophy, Humanities and Arts, National University of San Juan. 1/11
Lecturer and curriculum design: ‘Cinema and Latin American Ideology: Decolonial perspectives’. Institute of Visual Expression, Faculty of Philosophy, Humanities and Arts, National University of San Juan. From 18/10 to 22/11.
2022
“Sobre el poder del texto cinematográfico como narrativización de la hegemonía peronista en Las Aguas Bajan Turbias de Hugo del Carril (1952)” ( On the power of cinematic text as peronist hegemony narration in Hugo del Carril’s Dark River (1952)), Seminar series: La escena Justa, debates sobre las regulaciones cinematográficas entre 1914 y 1955 (Just Scene, debates on the cinematographic regulations of argentinean cinema from 1914 to 1955) Organized by the Project SECyT (FFHyA), “Cinema, State and Constitution. Regulations on Argentinean cinematographic (1914-1955)” Faculty of Social Sciences (Judicial Science Research Lab) and Faculty of Philosophy, Humanities and Arts (Institute of Visual Expression), National University of San Juan. 19/10. (Seminar coordinator and Lecturer).
Lecturer and curriculum design. Subject: Research methodologies and epistemologies at the Master Program: Morphology of the Human Habitat, Faculty of Architecture, Urbanism and Design. National University of San Juan. From 24/6 to 12/8.
“Representación cinematográfica de lo real como rol performativo en las dinámicas de construcción social” (Cinematographic representation of reality and its performative rol in dynamics of social construction) Curso-Taller: Praxis Epistémicas Contra-hegemónicas. Cine, Metáforas y Feminismos (Seminar workshop: Counter-hegemonic epistemic praxis. Cinema, Metaphors and Feminisms. Institute of Philosophy, Faculty of Philosophy, Humanities and Arts, National University of San Juan. 18/10.
2021
“Cine como aparato ideológico” (Cinema as ideological apparatus). Seminar series: Cine Silente, Cine Sonoro y Cine Silenciado. Cuestiones sobre las regulaciones del cine en Argentina (1914-1955). (Silent cinema, Sound cinema and Silenced cinema, on the matters of Argentinean cinema regulations 1914-1955). Organized by the Project SECyT (FFHyA), “Cinema, State and Constitution. Regulations on Argentinean cinematographic (1914-1955)” Faculty of Social Sciences (Judicial Science Research Lab) and Faculty of Philosophy, Humanities and Arts (Institute of Visual Expression), National University of San Juan. 16/9.
Coorganizer and cocordinator for the Seminar series: Cine Silente, Cine Sonoro y Cine Silenciado. Cuestiones sobre las regulaciones del cine en Argentina (1914-1955). (Silent cinema, Sound cinema and Silenced cinema: on the matters of Argentinean cinema regulations 1914-1955). Organized by the Project SECyT (FFHyA), “Cinema, State and Constitution. Regulations on Argentinean cinematographic (1914-1955)” Faculty of Social Sciences (Judicial Science Research Lab) and Faculty of Philosophy, Humanities and Arts (Institute of Visual Expression), National University of San Juan. 2,9,16 and 23/9.
2020
“Cortometrajes de largas distancias: Cine exprés, la multiplicación de un modelo”. (Shortfilms going long distances: Cinema express, the multiplication of a model) Seminar series: Actualidad en los cines regionales en Argentina y América Latina. Diversidad y desafíos del Siglo XXI. (Currency of Latin American and Argentinean regional cinemas: Diversity and Twenty first Century challenges) Centro de Investigación y Nuevos Estudios sobre Cine (CIyNE). Instituto de Historia del Arte Argentino y Latinoamericano, Universidad de Buenos Aires, (New Studies on Cinema Research Center), Intitute of Argentinean and Latin American Art History, Faculty of Philosophy and Letters, National University of Buenos Aires), Argentina. 27/7.
https://www.youtube.com/watch?v=2Oag2M4We0M&ab_channel=CIyNEUBA
2019
“Ontological, Epistemological and methodological perspectives of art-based research” at the Seminar series “Scientific reading and writing”, Faculty of Architecture, Urbanism and Design. National University of San Juan. 30/8.
“The Spectrum of Absence: Argentinean post dictatorship cinema as a re narration of collective memory” Seminar series at the IV encounter of ACCOR (Asociación Cinematográfica Cordobesa/ Cordoba’s Cinematographic Association). Facultad de Artes, Universidad Nacional de Córdoba. 23/8.
Convener and coordinator for the panel “Caravan of perspectives on community cinema and cultural democracy” 2nd Biennia of Journalism and Communication, Faculty of Communication Sciences, National University of Cordoba, Argentina. 4/6.
“Narrations and Re narrations of memory on pre and post dictatorship cultural production: The Spectrum of Absence ". Week of Memory. Faculty of Communication Sciences, National University of Cordoba, Argentina. 22/3.
2018
“Cinema made with neighbours. Amateur community cinema in Neoliberal Argentina”. Postgraduate Seminar Series, Auckland University of Technology, Auckland, New Zealand, 21/6.
2012
Lecturer and curriculum design: “The Allegory of the Motionless Traveler: Crisis and Reconstruction of Utopia in the Latin American Cinema of the Neoliberal Era.” School of European Languages & Literature Research Seminar Series. The University of Auckland, Auckland, New Zealand, 8/8.
Divulgation
Divulgation
2023
Book launch by Carla Grosman: Gibosa Menguante (Waning gibbous).( 2022). San Juan: Fondo Editorial Cámara de Diputados. First price, category Lyrics “San Juan Writes, Jorge Leonidas Escudero award”. Government of San Juan, 2021.
•Poetic Video Poeticas del Disturbio (Poetics of disturbance) ( 2022) by Ramon Gómez Mederos (Maricarmen Visuals: San Juan, Argentina) based on poems of the book Gibosa Menguante (Waning gibbous).
•Introduction by Biblioteca Letras Latinas’s director Mirtha Alvarez.
•Invited presenter: Poet Santiago Bonhomme.
•Author words: Dr. Carla Grosman
Book launch by Carla Grosman: El espectro de la ausencia cine Argentino de Posdictadura como renarración de la memoria colectiva (The Spectrum of Absence: Argentinean post dictatorship cinema as a re narration of collective memory). (2020) San Juan: Fondo Editorial Cámara de Diputados. First price, category Non Fiction “San Juan Writes, Jorge Leonidas Escudero award”. Government of San Juan, Argentina.
•Invited presenter: Center for Latin American Studies director Dr. Walescka Pino Ojeda (The University of Auckland).
•Author words: Dr. Carla Grosman.
•Words from the director of ALAC Inc.: Esteban Espinoza
•Closing statement by: María Belén Bogado /Ambassador of the Argentine Republic in New Zealand
2022
Book launch: Grosman, C. (2022). Gibosa Menguante (Waning Gibbous). San Juan: Fondo editorial Cámara de Diputados. At Argot Cultural Center< Santiago, Chile. 26.10.
Book launch: Grosman, C. (2022). Gibosa Menguante (Waning Gibbous). San Juan: Fondo editorial Cámara de Diputados. Feria de la cultura popular y el Libro de San Juan (Popular Cultural and book fear of San Juan). San Juan. Argentina, 12/10.
Book launch: Grosman, C. (2022). Gibosa Menguante (Waning Gibbous). San Juan: Fondo editorial Cámara de Diputados. Feria Internacional del Libro de Buenos Aires (International Book Fair of Buenos Aires), 9 y 10/5.
2021
Book launch: Grosman, C. (2020). El espectro de la ausencia: Cine Argentino de postdictadura como renarración de la memoria colectiva (The Absence’s Spectrum: Argentine Post-dictatorial Cinema as a Re-narration of Collective Memory) San Juan: Fondo editorial Cámara de Diputados de San Juan, 2020. 36th Edition International Film Festival of Mar del Plata. Argentina. (one hr. group persentation compiling academic readings of this book from legal, political, cultural and semiotic studies, from national and international universities). Conversations with Lawyer Conrado Suarez Jofre (Lecturer in Human Rights, National University of San Juan); Daniel Agustín Gil (Museum Franklin Rawson’s Film Club director); Dr. Walescka Pino Ojeda (Center for Latin American Studies director, The University of Auckland, New Zealand); Dr Cristina Posleman (Intitute of Visual Expresion director, National University of San Juan), 26/11.
Book launch: Grosman, C. (2020). El espectro de la ausencia: Cine Argentino de postdictadura como renarración de la memoria colectiva (The Absence’s Spectrum: Argentine Post-dictatorial Cinema as a Re-narration of Collective Memory) San Juan: Fondo editorial Cámara de Diputados de San Juan, 2020. Popular culture and book fair. Secretary of Culture, San Juan Goverment, San Juan. 24/10.
Book launch: Deuziede, J.B. (2021) La muerte de Europa (The death of Europe) Buenos Aires: Editorial Caterva. 26/8.
Book launch: Grosman, C. (2020). El espectro de la ausencia: Cine Argentino de postdictadura como renarración de la memoria colectiva (The Absence’s Spectrum: Argentine Post-dictatorial Cinema as a Re-narration of Collective Memory) San Juan: Fondo editorial Cámara de Diputados de San Juan, 2020. At the X Encounter of Chilean and Latin Americcan Cinema Research. Cultural Center 'La Moneda', National Film Library of Chile. Santiago, Chile. Coordinated by LOM editions; Institute of Aesthetics, Faculty of Philosophy, Pontific Catholic University of Chile; University of Chile; University of Santiago de Chile; University Academy of Christian Humanism. 4/6.
Book launch: Grosman, C. (2020). El espectro de la ausencia: Cine Argentino de postdictadura como renarración de la memoria colectiva (The Absence’s Spectrum: Argentine Post-dictatorial Cinema as a Re-narration of Collective Memory) San Juan: Fondo editorial Cámara de Diputados de San Juan, 2020. At the X Encounter of Chilean and Latin Americcan Cinema Research. Cultural Center 'La Moneda', National Film Library of Chile. Santiago, Chile. Coordinated by LOM editions; Institute of Aesthetics, Faculty of Philosophy, Pontific Catholic University of Chile; University of Chile; University of Santiago de Chile; University Academy of Christian Humanism. 4/6.
2020
Book launch. Grosman, C. (2018). La alegoría del viajero inmóvil. Utopía y neoliberalismo en el cine latinoamericano. (The allegory of the motionless traveler. Utopia and Neoliberalism in Latin American Cinema). Madrid: Ápeiron Ediciones. Conversations with Dr. Cristina Posleman (Faculty of Philosophy, Humanities and Arts, Institute of Visual Expression, National University of San Juan.) and Dr. Silvana Flores (CONICET, New Studies on Cinema Research Center, Institute of Argentinean and Latin American Art History, Faculty of Philosophy and Letters, National University of Buenos Aires), 7/12.
2019
Book launch: Grosman, C. (2018). La alegoría del viajero inmóvil. Utopía y neoliberalismo en el cine latinoamericano. Madrid: Ápeiron Ediciones. Conversation with Dr. Eduardo Peñafort (Faculty of Philosophy, Humanities and Arts, Institute of Philosophy, National University of San Juan). Provincial Museum of Fine Arts, Franklin Rawson, 24/10.
Book launch: Grosman, C. (2018). La alegoría del viajero inmóvil. Utopía y neoliberalismo en el cine latinoamericano. Madrid: Ápeiron Ediciones. Conversation with Dr. Andrea Benavidez (Faculty of Philosophy, Humanities and Arts, National University of San Juan). Popular Culture and Book Fair, Secretary of Culture, Government of San Juan, Argentina. 6/10.
Book launch: Grosman, C. (2018). La alegoría del viajero inmóvil. Utopía y neoliberalismo en el cine latinoamericano. Madrid: Ápeiron Ediciones. Conversation with Arturo Borio (Ex Director of Cinema school, Faculty of Arts, National University of Cordoba) IV encounter of ACCOR (Asociación Cinematográfica Cordobesa/ Cordoba’s Cinematographic Association). Facultad de Artes, Universidad Nacional de Córdoba. 23/8.
2018
Book launch: Grosman, C. (2018). La alegoría del viajero inmóvil. Utopía y neoliberalismo en el cine latinoamericano. Madrid: Ápeiron Ediciones at the 33* International Film Festival of Mar del Plata, Buenos Aires, Argentina, 14/11.
Book launch: Grosman, C. (2018) The allegory of the Motionless traveller. Utopia and neoliberalism in Latin American Cinema. U.K.: Cambridge Scholars and, Grosman, C. (2018). La alegoría del viajero inmóvil. Utopía y neoliberalismo en el cine latinoamericano. Madrid: Ápeiron Ediciones. Auckland University of Technology, Auckland, New Zealand, 7/11.
Book launch: Grosman, C. (2018). La alegoría del viajero inmóvil. Utopía y neoliberalismo en el cine latinoamericano. Madrid: Ápeiron Edicionesat the VIII Encounter of Chilean and Latin Americcan Cinema research. Cultural Center 'La Moneda' National Film Library of Chile. Santiago, Chile, 4/9.
Podcast
Podcast
Book presentations in Spanish
Cultural production commentaries in Spanish
https://www.ivoox.com/relanzamiento-obra-flores-cartera-audios-mp3_rf_93099588_1.html
https://www.ivoox.com/sone-color-del-aroma-del-mango-audios-mp3_rf_91108751_1.html
https://www.ivoox.com/presentacion-del-libro-gibosa-menguante-feria-audios-mp3_rf_94097281_1.html
Group research projects engagements
2018-2020 Department of Human Sciences, National University of La Rioja. Project SECyT “Three paradigmatic lines in Twenty Century’s acting. Creative potential as contribution to contemporary scenic arts”. Dir. Mgtr Fuadalupe Suarez Jofré. Outcome: experimental pieces and one conference paper.
2019-2020 Faculty of Communication Sciences, National University of Cordoba. Project SECyT: “Imaginaries of software: social appropriations of the new technologies from identity communities” Dir. Dr. Susana Morales. My outcomes: 1 published book chapter, 3 paper presentation at an international conferences and 2 published papers in book proceedings.
2019-2023 Faculty of Philosophy, Humanities and Arts, National University of San Juan. Project CICITCA Conceptual and categorical Modulations between Postcolonial critique and Poststructuralist Philosophy. Dr. Alejandro de Oto (Philosophy Institute) and Dr Cristina Posleman, (Institute of Visual Expression). My outcomes: 1 published book chapter (2020) and (one editing book chapter for 2023), 1 magazine published article, 4 paper presentations at international conferences.
2019-2021 New Studies on Cinema Research Center, Institute of Argentinean and Latin American Art History, Faculty of Philosophy and Letters, National University of Buenos Aires. Porject PICT: “Cartographies and historical study of Argentinean cinematographic processes (1896-2016) Dir. Dr. Ana Laura Lusnich. Outcome: 1 published book chapter, 1 published chapter in published book proceedings, 2 papers presentations at international conferences. 2 seminar expositions.
2020-2022 Faculty of Social Sciences (Judicial Science Research Lab) and Faculty of Philosophy, Humanities and Arts (Institute of Visual Expression), National University of San Juan. Project SECyT (FFHyA), “Cinema, State and Constitution. Regulations on Argentinean cinematographic (1914-1955)”. Dir. Dr. Lawyer. Gerardo Tripolone. Outcome: 1 book chapter (submitted for publication), 2 seminar exposition.
2021-2023 Facultad de Humanidades, UNCa – IRES, CONICET. Centro Internacional de Investigación PIRKA – Políticas, Culturas y Artes ( International Center PIRKA, Politics, Cultures and Arts). “Hacer Sentidos del habitar y territorios emergentes en Catamarca y Santiago del Estero. Chiqui/Tanicu, la Virgen del Valle y comunidades de seres en los límites del consenso territorial entre Estado-Nación, disciplinas académicas y capital neo-extractivista” (Making sense of inhabited emerging territories in Catamarca y Santiago del Estero, Argentina. Human communities at the limit of the territorial consensus between National State, Academic disciplines and neo-extractive interests). Dir. Dr. José Luis Grosso
2022-2024 “New Studies on Cinema Research Center, Institute of Argentinean and Latin American Art History, Faculty of Philosophy and Letters, National University of Buenos Aires. Porject UBACyT: “Modalities of production and representation in Argentinean regional cinemas: production diversification and debates around regional identities” Dir. Dr. Ana Laura Lusnich. Outcome: 1 published chapter at a book from conference proceedings, 2 1 paper presentations at international conferences. 1 seminar exposition.
Applied reseach projects
Present-2019 Faculty of Philosophy, Humanities and Arts, National University of San Juan. Creation and development of Master program: “Master in Art-based Reseach on Latin American postcolonial memory” Dir. Dr. Carla Grosman. Involves the contribution of international academics and universities and is based at the Institute of Visual Expresion, National University of San Juan. (Currently under institutional accreditation).
Prizes
2021
First prize, category Lyrics “San Juan Writes, Jorge Leonidas Escudero award”. Government of San Juan for Gibosa Menguante (Waning gibbous)
Link you tube
https://diputadossanjuan.gob.ar/prensa/item/10075-entregaron-los-diplomas-del-concurso-san-juan-escribe
2020
CONICET, Postdoctoral scholarship. National University of San Juan. Research project Esto es cuyo y no Manhattan: Imaginarios urbanos del cine joven sanjuanino (This is Cuyo, not Manhattan: urban imaginaries of San Juan’s youth cinema)
2019
First prize, category Non Fiction “San Juan Writes, Jorge Leonidas Escudero award”. Government of San Juan for El espectro de la ausencia cine Argentino de Posdictadura como renarración de la memoria colectiva (The Spectrum of Absence: Argentinean post dictatorship cinema as a re narration of collective memory).
Page updated
Google Sites
Report abuse